O-Bi, O-Ba: The End of Civilization
Synopsis
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
Director
Cast
More
Leon Niemczyk
Guard
Adam Ferency
Guard
Kalina Jędrusik
Millioner's wife
Jan Nowicki
Engineer
Jerzy Stuhr
Soft
Krzysztof Majchrzak
Fridge man
Mariusz Benoit
Doctor
Marek Walczewski
Soft's superior
Mariusz Dmochowski
Millioner
Other Reviews
see all
It's hard to describe the excitement of discovering this type of abandoned gem. It's like the thrill a character in a fantasy world - I imagine - would get after finding a unique weapon with whom he knows he'll create a bond. Now I can perfectly understand how Bilbo must have felt when he got the Elven short sword. :p
I am a bit of a foreigner to east European cinema. Apart from Russia, I haven't explored much around this territory. But those very few films I've watched from it have impressed me a lot in some aspect, be it the unusual camera tricks or the carefully layered, iron-handly controlled tone and narrative structure. 'O-Bi, O-Ba,' however, tends to take things a little more loosely. That, referring to how well the filmmaker manages to shift between different themes while always being true to the characters and the world they populate.
There is some social commentary here. The film criticizes the social capitalist system with the perfect amount of cynicism, carefully avoiding falling under the tag "propaganda." The delicate humor reminded me of Kubrick's 'Dr. Strangelove' at times and the bleak, cold depiction of the sci-fi elements - the neon-lit environment and the clothing - shouts 'Blade Runner' vibes - pity that the modest budget limits it from reaching the complex scenery level of Scott's immortal sci-fi-wonder. Regardless, 'O-Bi, O-Ba' makes the most out of its circumstances and concludes in an efficient illustration of a post-apocalyptic world. As a side note: I wish the movie gets a restoration of some sort. Hopefully, Criterion sees it because, apart from giving it the best restore, it'd help it get some much-needed recognition.
No friends added this movie to ‘To Watch’ yet
shaban
It's hard to describe the excitement of discovering this type of abandoned gem. It's like the thrill a character in a fantasy world - I imagine - would get after finding a unique weapon with whom he knows he'll create a bond. Now I can perfectly understand how Bilbo must have felt when he got the Elven short sword. :p
I am a bit of a foreigner to east European cinema. Apart from Russia, I haven't explored much around this territory. But those very few films I've watched from it have impressed me a lot in some aspect, be it the unusual camera tricks or the carefully layered, iron-handly controlled tone and narrative structure. 'O-Bi, O-Ba,' however, tends to take things a little more loosely. That, referring to how well the filmmaker manages to shift between different themes while always being true to the characters and the world they populate.
There is some social commentary here. The film criticizes the social capitalist system with the perfect amount of cynicism, carefully avoiding falling under the tag "propaganda." The delicate humor reminded me of Kubrick's 'Dr. Strangelove' at times and the bleak, cold depiction of the sci-fi elements - the neon-lit environment and the clothing - shouts 'Blade Runner' vibes - pity that the modest budget limits it from reaching the complex scenery level of Scott's immortal sci-fi-wonder. Regardless, 'O-Bi, O-Ba' makes the most out of its circumstances and concludes in an efficient illustration of a post-apocalyptic world. As a side note: I wish the movie gets a restoration of some sort. Hopefully, Criterion sees it because, apart from giving it the best restore, it'd help it get some much-needed recognition.
No Discussions
shaban
3 y