Celluloid and Marble
Synopsis
Celluloid and Marble is based on Rohmer's own articles published in "Cahiers du cinéma", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was “the last refuge of poetry” - the only contemporary art form from which metaphor could still spring naturally and spontaneously.
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Iannis Xenakis
Himself
Roger Planchon
Himself
Pierre Klossowski
Himself
César Baldaccini
Himself
Georges Candilis
Himself
Claude Parent
Himself
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